The Role Ofreligion And Morality In Cats Cradle Essays -

The Role Ofreligion And Morality In Cat's Cradle As an author, Kurt Vonnegut has received just about every kind of praise an author can receive: his works held the same sway over American philosophy as did those of Jack Kerouac or J.R.R. Tolkein; his writing has received acclaim from academics and the masses alike; and three of his books have been made into feature films. Society has permanently and noticeably been altered by his writing. Through accessible language and easily-understood themes, Vonnegut has created works subtle, engrossing, and familiar. His main method for doing this is by exploiting a theme with which everyone is familiar and about which everyone has his own opinion: religion. Not many people are more qualified to explore this theme than Vonnegut. He was born in 1922 on Armistice Day (November 11), a holiday celebrating peace, in Indianapolis. His family was moderately wealthy until the onset of the Great Depression, when they lost everything. In 1944, Vonnegut's mother committed suicide by overdosing on sleeping pills. Soon afterwards, he joined the army and fought in the Second World War. Vonnegut was captured as a POW and kept prisoner in Dresden. Soon after his capture, Dresden, an entirely civilian town, was bombed heavily. Vonnegut survived the bombing, came home, and became a writer. His first book, Player Piano, received very little notice at the time it was written, 1952. When he published Sirens of Titan in 1959, it also was largely ignored. In 1969, Vonnegut published Slaughterhouse Five, which was an immediate commercial and academic success. Slaughterhouse Five's success brought attention to his other works, and though Vonnegut was not as popu lar after the ?60's, he continued to publish successful books (http://www.duke.edu/~crh4/vonnegut/). Vonnegut's works have been classified as ?science fiction?, but that hardly does them justice. His works are significantly influenced by that genre, but contain strikingly relevant commentaries about contemporary American society which set him apart from other science-fiction writers. His use of science fiction draws a humorous contrast between the all-important significance of the nature of the universe and of reality, and the insignificance of human life and society. All of his works emphasize the enormous forces acting on his characters, not the least of which is fate. As his writing progressed and matured, this stylistic nuance became more and more evident. In his book Slaughterhouse Five, Vonnegut describes his own style by means of Tralfamadorians, an alien race for whom time is nonexistent, and whose literature reflects this: Each clump of symbols is a brief, urgent message describing a situation, a scene. We Tralfamadorians read them all at once, not one after the oth- er. There isn't any particular relationship between all the messages ex- cept that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time (88). Indeed, Vonnegut has dismissed temporal continuity in his writing, and has thus eliminated suspense. Characters are often aware of their own inevitable destiny, as in The Sirens of Titan, and are helpless to stop it from coming to pass. Vonnegut makes it clear that modern society is much like this - people can see where they're headed, but are too powerless or apathetic to prevent it. In his book Cat's Cradle, Vonnegut mocks people's mindless, apathetic acceptance of their fates by portraying a situation in which unimaginably powerful forces toss around people desperate to escape them. He presents ?civilization's attempt to commit suicide (Hocus Pocus, 72)?, the atomic bomb dropped at Hiroshima, and ends the book with all of the water on earth freezing as the result of a substance called ?ice-nine?, and thus civilization successfully committing suicide. Ironically, the man who created the atomic bomb also created ice-nine, a man not diabolically evil, but merely absent-minded. In this, Vonnegut portrays not only the amazing influence the forces of the universe have on us, but also the influence a select few of us have on the forces of the universe. In Cat's Cradle, Vonnegut describes an amazingly

One Step Back †Using Smaller Markets To Break Into Larger Ones

One Step Back – Using Smaller Markets To Break Into Larger Ones When breaking into a large market – especially where you have no prior experience – rejection is a certainty. Not everyone can nail the perfect pitch on the first try, and writers should keep their heads up and keep trying. But what happens when the rejections keep coming in, no matter what you try? Each person would have their own reasons as to why they arent nailing the pitch. It might be the pitch being bland, it might be the ideas not hitting the target, or it might be good, solid ideas that have been covered already. To help hone what part of the process is letting you down, you can try pitching to publications lower down the rung. This move backwards can either be very simple or extremely hard, depending how niche your target publication is. Someone writing about technology could probably have an easier time than those wanting to write about model trains. If moving downwards seems impossible, consider going sideways: find a publication which doesnt necessarily feature your niche, but still utilizes it. Once youve found your target, its time to start! You may find that articles that were rejected from your original target are more than suitable for the smaller publications, given the fact that theyre in more need to fill up slots for their publication schedule. Once you get an acceptance, you can develop a working relationship with the editor: talk them through pitches, note what they reject and accept, see why they reject specific articles and hone your pitches and ideas to suit them. After a few months, you may begin to notice that the publication becomes very easy to pitch to. This means its time to spread your wings and go for bigger, better-paying publications – mainly, your original target! Use your new-found skills to make a second attempt at landing that acceptance. The best part is, any queries that fail to strike the fancy of your target can very easily become accepted ideas with the editor you work with. I learned this the hard way when I decided that bite-sized, factual articles would be great fun to write. I was first drawn to Listverse because of its simplicity: research ten points, write the article, send it in, and get paid $100 for the enjoyment of creating a well-researched article. It seemed ideal, but I couldnt break in at all. I decided to try the waters with another website, TopTenz, despite their paying only half of what Listverse does. They liked the ideas that Listverse didnt, and I began to work with the editor of TopTenz to get my ideas out there and earning some money. I learned a lot from the months of working with the editor, and when I look back at the pitches I gave Listverse, I cringe at how naive I was. While I still work with the TopTenz editor closely, I recently decided to use my new-found knowledge to try to break into Listverse once again. On the second pitch of my re-attempt, I got a green light that eventually lead to an acceptance and payment! I highly doubt I could have crafted a winning pitch if it were not for my experience with TopTenz. If youre having issues getting into a publication, try mastering the level below it. Once youve done that, the only feasible step is to move up – and thats when youll be much better equipped to land that gig youve wanted.